Death and Penelope is available as part of the Amsterdam Lift-Off Online Film Festival until Oct 7th. Rental of the entire Festival collection costs £10 and includes ~130 shorts.
Sokku Monsuta will be screening at London Rolling Film Festival on the afternoon of May 27th 2018, as part of the Official Selection.
I’m pleased to announce that Death and Penelope has been selected to screen at the East End Film Festival.
Death and Penelope is a short film that I co-directed with Rahman Noor Chowdhury and it stars Bayley Freer and Owl Young.
The screening will take place on the 22nd April at 4pm at Rio Cinema in Dalston.
Tickets can be purchased here: http://riocinema.org.uk/RioCinema.dll/WhatsOn?Film=10544600
Penelope is the author of a series of somewhat unsuccessful self-help books. She is suffering from a bad case of writer’s block as she writes one last book after having been diagnosed with a terminal illness. She struggles to focus, particularly as Death (the Grim Reaper) has moved in with her and takes to watching loud television and nagging her to hurry up. However, Death gradually begins to show a softer side and becomes a subject for Penelope to test her self-help methods on by teaching him to become more personable.
I originally wrote Death and Penelope for Jameson First Shot to the theme “the great and/or unexpected things that can happen when you fear less and invite life in”. Winning the competition would have meant Kevin Spacey producing and Maggie Gyllenhaal playing the lead role. I didn’t make it to the shortlist and so I worked on it some more and produced it myself.
Woman in Green
Rahman Noor Chowdhury and Glen Delahaye
Sorcha Bloom Dunphy
A short film about jazz music and language exchange in London.
Starring Leonard Oguntade and Misa.
The film is part of the Official Selection for the 9th Edition of London Rolling Film Festival.
A one and a half minute fantasy short, combining live action footage and stop-motion animation.
This was produced on a micro budget (mostly consisting of my travel expenses when going to pick up the camera I was borrowing). The resources used were:
- a stripy sock
- an aspiring composer
- a Japanese person
- armature wire
- a borrowed Panasonic GH3
- a 14mm lens and a borrowed 20mm lens
- an M42 lens adapter and a vintage 50mm Pentacon lens
- a sturdy borrowed Ravelli tripod
- a box of Shreddies
- masking tape
- a borrowed Rode VideoMic Pro
- a PC with Sony Vegas Pro 13, Paint Shop Pro 7 and MonkeyJam
I shot several animation/live action tests as well, which can be seen here:
This was my first project to be shot on a DLSR. We used a Canon 70d. The lighting was accomplished using Halogen worklights purchased from Homebase and a couple of plastic table cloths from Poundland, which were used to diffuse the light.
Overall the production cost £210. I screened it at Kino London in May 2015 and then submitted it to four film festivals. It was selected by Screen Stockport Festival in October 2015, which was sponsored by IMDb.
This was my first film to qualify for listing on IMDb: http://www.imdb.com/title/tt5097636/
A couple takes part in an underground experiment in mental time travel.
This short led to my first paid writing job. It was shot in an apartment block in East London across two days and submitted to the University of East London as part of the coursework for a Masters.
Directed and Produced by
A short film in one take: In order to get a promotion at work, a grumpy employee attempts to defeat his competition through a sloppy and overly complicated murder plot.
An example of a film that didn’t work out. You can get away with making a number of mistakes in a film, but not if those mistakes prevent you from getting across what you are trying to say. This was an attempt at a murder mystery in one take, but the end result was sadly incoherent.
This was coursework for an MA at UEL. The brief had been to make a film in one take, without any editing or post production. They called it Slice of Life.
My concept was to film a real-time murder mystery taking place during a party in a flat. The camera would pan between three rooms, where we would witness characters conspiring with each other and begin to understand the motive before seeing the repercussions of the murder plot. To be honest, I don’t think it was such a bad concept.
The problems lay in the execution. It was a rushed production and so actors did not know their lines, equipment had not been tested and the script could have done with some rewriting. The end result includes mumbled lines, misplaced props, equipment noise, camera shakes…overall it’s like a rough draft for what might have been a decent student film.
But still, it’s a good learning opportunity and did receive merit.